电影院应聘简历

1. 电影院应聘简历

一般，封面+个人简历+求职信+奖状复印件。封面：就只要在最上面写上你的毕业院校，中间加个图并写句你的座右铭，下面则从上到下写姓名、专业、联系电话。最后排版一下就可以了！我是用word文档自己做的，完全可以实现的！注意，封面打出来要是黑白的！你也不需要去弄彩色的！浪费钱！个人简历：个人简历姓名 出生年月 性别  照片毕业院校 民族 籍贯 专业 政治面貌 身高 文凭 联系电话 技能等级 E-mail 在校成绩 求职意向 联系地址 邮编 证书 主修 教育背景时间学校担任职务证明人                相关培训时间培训项目地点            获奖情况 工作经历 自我评价  注意，要拉成A4纸刚好容下的大小！工作经历要写出有何收获！证书要是已经考到了还没发也照填，在后面加括号备注就可以了。自我评价要言简意赅，一行就可以了！最好附上一份求职信！求职信里可以适当提到贵公司怎样怎样，让他知道你对公司的关注及真心想在贵公司有所作为有所发展！还有你说的学生会主席、现在是要实习还不是正式工作也可以在求职信里提到。最后，祝你马到成功！

2. 电影的简介

Filmmaking is the process of making a film, from an initial story idea or commission, through scriptwriting, shooting, editing and distribution to an audience. Typically, it involves a large number of people, and takes from a few months to several years to complete. Filmmaking takes place all over the world in a huge range of economic, social, and political contexts, and using a variety of technologies and techniques.

Film production occurs in five stages:Development,Pre-production,Production,Post-production and Sales and distribution.

Development

In this stage, the project's producer finds a story, which may come from a book, play, another film, a true story, original idea, etc. After identifying a theme or underlying message, the producer works with writers to prepare a synopsis. Next they produce a step outline, which breaks the story down into one-paragraph scenes that concentrate on dramatic structure. Next, they prepare a treatment, a 25 to 30 page description of the story, its mood, and characters. This usually has little dialog and stage direction, but often contains drawings that help visualize key points.

Next, a screenwriter writes a screenplay over a period of several months. The producer and screenwriter prepare a film pitch, or treatment, and present it to potential financiers. If the pitch is successful, the film receives a "green light", meaning someone offers financial backing: typically a major film studio, film council, or independent investor. The parties involved negotiate a deal and sign contracts.

Pre-production

In pre-production, the film is designed and planned. The production company is created and a production office established. The production is storyboarded and visualized with the help of illustrators and concept artists. A production budget is drawn up to plan expenditures for the film.

The producer hires a crew. The nature of the film, and the budget, determine the size and type of crew used during filmmaking. Many Hollywood blockbusters employ a cast and crew of hundreds, while a low-budget, independent film may be made by a skeleton crew of eight or nine (or fewer). These are typical crew positions:

    The director is primarily responsible for the acting in the film and managing creative elements.
    The assistant director (AD) manages the shooting schedule and logistics of the production, among other tasks. First AD and second AD are different jobs with different responsibilities.
    The casting director finds actors to fill the parts in the script. This normally requires that actors audition. Lead actors are carefully chosen, often based on the actor's reputation or "star power."
    The location manager finds and manages film locations. Most pictures are shot in the controllable environment of a studio sound stage but occasionally, outdoor sequences call for filming on location.
    The production manager manages the production budget and production schedule. They also report, on behalf of the production office, to the studio executives or financiers of the film.
    The director of photography (DP or DOP) or cinematographer creates the photography of the film in cooperation with with the director, director of audiography (DOA), and AD.

Production

In production the film is created and shot. More crew will be recruited at this stage, such as the property master, script supervisor, assistant directors, stills photographer, picture editor, and sound editors. These are just the most common roles in filmmaking; the production office will be free to create any unique blend of roles to suit a particular film.

A typical day's shooting begins with the crew arriving on the set/location by their call time. Actors usually have their own separate call times. Since set construction, dressing and lighting can take many hours or even days, they are often set up in advance.

Post-production

Here the film is assembled by the film editor. The modern use of video in the filmmaking process has resulted in two workflow variants: one using entirely film, and the other using a mixture of film and video.

In the film workflow, the original camera film (negative) is developed and copied to a one-light workprint (positive) for editing with a mechanical editing machine. An edge code is recorded onto film to locate the position of picture frames. Since the development of non-linear editing systems such as Avid, Quantel or Final Cut Pro, the film workflow is used by very few productions.

In the video workflow, the original camera negative is developed and telecined to video for editing with computer editing software. A timecode is recorded onto video tape to locate the position of picture frames. Production sound is also synced up to the video picture frames during this process.

Finally the film is previewed, normally by the target audience, and any feedback may result in further shooting or edits to the film.

Distribution and exhibition

This is the final stage, where the film is released to cinemas or, occasionally, to DVD, VCD, VHS (though VHS tapes are less common now that more people own DVD players), Blu-Ray, or direct download from a provider. The film is duplicated as required for distribution to cinemas. Press kits, posters, and other advertising materials are published and the film is advertised.

Film companies usually release a film with a launch party, press releases, interviews with the press, press preview screenings, and film festival screenings. Most films have a website. The film plays at selected cinemas and the DVD typically is released a few months later. The distribution rights for the film and DVD are also usually sold for worldwide distribution. The distributor and the production company share profits.

3. 想去电影院兼职，简历该怎么写？ 急！！！求帮忙！！！

把自己的基本情况写上，工作经验就写一些收银员，理货员一类最好能有一年的工作经验。这样用人单位会觉得你能够吃苦耐劳。
职位就写检票员即可

4. 电影2012简介？

雪山上藏着一艘巨船，一张船票卖十亿欧元，富豪们疯抢

5. 怎么向电影公司发表自己的简历

那就要看你想在电影公司谋得什么职位了。如果想得到是编剧，那就将你所有的编剧作品一一说明，如果是制片就将你所有参与制片工作的工作简历一一说明。其他职位，也同上。关键是要有作品，或者是专业院校毕业的学习背景，才能有机会获得电影公司的职位。什么都没有的话，只有热情，很难进入。

6. 电影欲罪主演雪儿简历

雪儿的饰演者

7. 电影《花》女主角简历

《花》是2011年上映的一部爱情电影，该片由娄烨执导，任洁、塔哈·拉希姆、加里·勒斯培等共同出演。
花
演员 任洁
花为了感情决定辞去在北京当老师的工作，前往巴黎寻回男友，但终究还是没能令其回心转意。在陌生的城市游荡，迷路的花偶遇了一位法国蓝领马修，虽然马修疯狂地爱着花，但他和他的朋友们却似乎一直把花当婊子看待，两人之间的裂缝渐渐判若鸿沟。

8. 电影雏菊中男主角的简历？

杀手朴义 郑宇成 Woo-sung Jung 

职 业：影视演员 

国 籍：韩国 

出生日期：1973年3月20日 

身 高：186cm 

毕业学校：京畿商业高中 

家 庭：两男一女 排行老三 

爱 好：看录像 开车兜风 

特 长：篮球 游泳 

从艺时间：1994年模特 

绰 号：小老头 

酒量：一次能喝两瓶白酒 

喜欢的女性类型：有魅力的女人 

喜欢的服装：西服这类能出席正式场合的衣服 

喜欢颜色：黑色和咖啡色 

日常爱好：喜欢自己做些手工艺品 

尊敬的演员：安成基，罗伯特.德尼罗 

鞋的尺码：275 mm 

座右铭：人应该正直诚实地活着！ 

性格： 平时算是内向型，但有时会爆发的那种类型 

兴趣： 观看VCD、兜风 

特长： 篮球、游泳 

喜欢的体育运动： 篮球、游泳 

喜欢的饮食： 韩食（特别是大酱汤） 

理想的异性： 思虑深的女子 

喜欢的演艺人： 安成基、罗伯特德尼罗 

最伤心的时候： 奶奶去世的时候 

从艺时间： 94年以广告模特首次亮相 

记忆最深的时候： 电影《九尾狐》开映后接受的第一个主人公 

出道： 94年作为CF模特加入电影《九尾狐》的公开试音 

成名作： 电视剧《沥青男人》 

参演作品 

电视剧：《马路上的男子汉》（即《车神传说》）、《1.5》 

电 影：《狐仙》，《本特基尔》，《上海滩》，《比特》，《没有太阳》，《幽灵》，《爱》，《武士》 ，《我脑海中的橡皮擦》，《雏菊》，《中天》，《悲伤电影》 

个人简介： 

一米八六的魁梧身材，一双忧郁的眼睛——这就是郑宇星，被称为韩国美男子的代名词。也许是他长得太帅的缘故，开始的时候观众只是注重他的外型，却很少去关注他的演技。然而7年的演艺生涯已经让他在演技方面颇有造诣，成为一名实力派演员。最近他在一些广告片中的表现已经开始让众注意到了他的演技。 

郑宇星是以模特的身份进入演艺圈的。他身上所散发的男子汉气概，是使他在电影《九尾狐》的公开募集中脱颖而出的主要原因。就是通过这部影片，郑宇星和韩国的著名女影星高小英被看作是最佳荧屏拍挡。也正是这部影片使观众认识并看到了郑宇星在演艺方面的才能。 

而真正使郑宇星走向成名之路的，是SBS电视台推出的电视连续剧《柏油路上的男子汉》。这部电视剧之后，他的“硬汉”形象开始在观众的心目中稳固下来。在此之后，他又演了《beat》等多部影片并逐渐成为观众所熟悉的演员。 

据郑宇星本人透露说，他的真正目标是要做一名导演。所以现在一有空，他就开始构思一些剧本，并拿着摄像机拍摄一些东西作为练习。 

最近，他忙于拍摄一些广告片，并在积极地为他的新影片《武士》做宣传。虽然在影片的拍摄途中还受了伤，但是他却并不急于去治疗，而是要先完成手头上的工作。他的这种敬业精神还是很值得一提的。 

“原来郑宇星的演技也这么棒啊？！”在观看郑宇星拍的电影和广告的时候，观众总会这样感叹。在他的表演中，充分表现出了青年人沸腾的热血、不甘受束缚的精神。在《殴斗》中内心痛苦的“浪子”，使其成为九十年代年轻人的化身，改变了以往人们对其演技有些装腔作势的看法。经过短暂的休整，郑宇成成功地在《没有太阳》中扮演了一个虽然无处安身，却不放弃希望的拳击运动员，显示了其日趋成熟的演技。在影片《幽灵》中，他第一次扮演海军将校角色，沉着冷静的目光流露出了他与众不同的气质。 

然而，在“孤独的男子汉”的另一面，郑宇成也有着害羞又朴实的一面，如孩子一般的天真。英俊的外貌，健壮的体魄，对一切都显得宽厚又令人可信，着实令人为其痴迷。在加上认真又热情的表演，使他成为了一名真正的演艺人员。他喜欢思考，喜欢安静，常陷入冥想之中。他想出的新点子、好主意经常被用于影片的拍摄过程中。